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This work is one of the two that fronted the 'Reflections' exhibition which represents myself and Roi Toia. The works were made the 'gateway' to show the artists' strong cultural base and to reflect the traditions and styles of Maori art. By capturing the past they symbolise the moving forward from the old to the new contemporary Maori art.
Physical: Four bronze cow-like figures on top of a large rectangle shape, the symbol of land - on a wooden base.
Spiritual: I am making a statement about the products of colonisation. Machinery, farming and domestication in all four directions. How these products effect the animals, the land and all mankind is up to us.
Kia Ora Koutou
The three in one fishhook, where one can observe the boat, the hook and the captured fish. In ancient times the Maori fisherman who supplied a good catch for his family and village was held in high esteem because he took care of his people's needs. He was also very wise in that he trained the young ones (Koro at the base of the ornament) so that they could carry on when he became too old. Under his loving and practical care, the village 'prospered'.
A woven flax panel with integrated colours of wine, amethyst and red. The pattern Karu Taniwha is enhanced by the variations in the colours of the dyed flax. Surrounded by a rimu frame.
This work is one of two that fronted the 'Reflections' exhibition which represents myself and Todd Couper. The works were made the 'gateway' to show the artists' strong cultural base and to reflect the traditions and styles of Maori art. By capturing the past they symbolise the moving forward from the old to the new contemporary Maori art.
A sculpture in stone, for the sheer pleasure of working within the convention and the medium. A work of joy!
A practical piece, utilising traditional designs associated with agriculture and food, which are presented in the carvings on the karakara a kai, or food store, thus allowing food to be served on it or eaten from it.
The story of the separation of the earth and sky, featuring a tight spiral embrace. The process of separation is beginning. Daylight is visible, but still the bond between the two curving forms remains.
A celebration in sculptural form of the mixed heritage and identity of a Maori traditional master carver and contemporary artist. An exploration of the split identity that is the ever present reality, within an environment of bi-cultural challenge. Can you take the Scotsman out of the Maori in this instance.
A sculpture of a patu embedded in a carved rock. This draws from the imagery of the English Excalibar legend - an acknowledgment of the concepts of honour and leadership from both Maori and English heritages and of the links perceived between the ancient artforms of both cultures. Also a denial of the statement that Maori should not work in stone.
Nga kete - are three baskets that form the one piece. These baskets demonstrate fine weaving skill and absolute control of the weaver. The intricate whakairo (design) illustrates the conceptual ability of the weaver and how space is given for the viewer to make his/her judgement behind the hands of the creator.
